TRIBAL MUSICAL INSTRUMENT OF TRIPURA
By

J L SUTRADHAR


Musical sense of people is considered as the language which is born in our mind and body itself and associated with the idea of spirituality. All sounds produced from vocal cord ,instruments and dance are resounded into the inside heart through the nervous system make people joy and pleasure .Ancient people used music and musical instruments as a part of their ceremonies and festivals in their everyday life. Music was contemplated as a source of medium to protect themselves from anger, sin, hatred and evil spirit Thus presentation of such enthusiasm was an attempt to bring the grace of the almighty to rigorous and monotonous life.Such kind of musical activities attracted the enthusiastic tribal people and reflected in the form of rhythmic sound. Tribal people of Tripura are rich in their culture from the kingdom.

SHINGA :-

Usually an end blown animal horn with a medium but a fine hole in the tip. The tribes of Tripura take pleasure in the excellence of this bollowing instrument. The horn is known as Shinga in Sanskrit.It is a long, more or less conical tube ending in a large bell habing a funnel - shaped mouth piece. Through "Singa" means animal horn, yet this type of instrument was later on made with other materials but the name remained same. For carrying the horn, thin cord is attached with two hooks. This is suspended cross - wise from shoulder. It produces usually a higher note (high-pitch), but with changed in the angle between lips and the blowing rim and variation in breath stream, thus vibration in the air column allows for further one or two notes to be produced. From the ancient time Singa was used in tripura to call for assemblies, to give signals and other special occasion. Many tribes of Tripura use 'Shinga' in religious and social institutions. A few of them are also used for tantric institutions. After little modification the same instrument is also used as the war trumphets at the ancient time .These instruments are used on hunting expeditions for signaling purpose and for enjoyment. It produces usually a higher note( high pitch),but with change in the angle between lips and the blowing rim and variation in breath stream ; thus vibration in the air column allows for further one or two notes to be produced.

SUMU (FLUTE) :

  • Those hold along the mouth.
  • Those hold acroos the mouth. Samu are made from the hollow stem of a bamboo. In their manufacture it is remarkable to know that, as such, no complicated acoustic test is applied at any stage. The instrumentalist himself cuts the bamboo to a suitable length. Putting the bamboo to his lips in a playing position, he determines the distances of the flute stops by simply putting his fingers to the position.

  • SARINDA/SARINDA OYAKHARAP-:
    The Sarinda is well-known string instrument of Tripura.It is specially used by most the tribes of Tripura and is known as Sarinda Oyakhrap, which is specially made of bamboo. Sarinda is a musical instrument made of bamboo or wood.It looks like a peacock somewhat like a mandolin.It has an oval-shaped hollow wooden resonating chamber. This resonator is covered with a thin skin usually of iguana and its wider top portion is open. The waist of the body of this instrument is so narrow shaped that it looks as if the portions of upper and lower halves are separate from each other .The length of the instrument is about 65-70cm. The lower portion of the body is oval or a small pear shaped. The middle portion is large and both the edges are wide enough .There is no cover on the cave portion. Usually three pegs are fitted to the top portion of the instrument to fasten the strings. The strings are generally of the thread of Muga or animals gut or now they use even metal string. The instrument is played by a crude 'Bow' made of horse hair. The tuning is done tightening of loosening the strings with pegs when necessity arises.
    CHONGPRENG-:
    The Chongpreng, a particular type of chord phonic lute ,has the tribal origin. The chongpreng looks like esraj and is made of bamboo. Constituted of a hollowed block of wood, the resonator is covered with a parchment. Notched wooden bridge is placed at lower one third portion of the membrane belly. The strings are hooked to the lute pins. Instrumental manipulation opts finger tips to press the strings against the board .Most of the tribes of Tripura use this musical instruments which is very much popular among them.

    DANGDOO-:
    The Dangdoo is a small rod idiophone of fine musical value which in English is called the jew's harp ,though there is no resemblance to the harp at all .In Hindi literature the instrument is also referred to as the Mukha-Chang, evidently because it is held in the mouth ( mukha=mouth). The dangdoo is one of important musical instrument used by most of the tribes of Tripura. The Dangdoo is a unique instrument in as much it is a combination of both wind and percussion. It is made of iron in the sharp of small tongs measuring about 9-10cm,with a single wire-running between the arms. One end of the instrument is held between the teeth with lips parted. As the wire is plucked the player inhales and exhales with controls the twang and pitch.

    RAWCHHEM -:
    It is a Scotch,s bag piper like mouth organ. It is made of a dry hollow gourd into which are inserted nine bamboo tubes of different size and length ,fine of which being fixed at the gourd of about two inches distance from the other four tubes both of which are tide together but slightly slanting outwards .To make different notes or sound, holes are made at the desired spot of the tubes. Blowing is done at the tapering end of the gourd. To produce sufficient sound a hard hard blow is required too.

    TAKTUI expert tuner. If the pitch of drum sound is to be sharpened the black tuning paste is lightly layered at center of one of the membranes sides gradually. If the pitch is to be flattened, the quantity of the tuning paste in the center is gradually raised.

    While applying the paste the expert tuner ensures that the desired quantity of the paste is only applied. The excess amount of paste is scrapped off while rubbing it with a polishing black grind stone.

    Raw materials used for preparing the tuning paste :-
  • Iron dust - to obtain the required weight of the substance.
  • Black colour powder.
  • Pasted boiled rice used as an adhesive forming the dough for application.
  • TRENG / LEBANG - LEBANGTI -:
    Lebang boomani musical instrument is very strange and very special instrument found in Tripura. It is a curious combination of bamboo clappers to which are attached miniature tutune - S and is played with claps and twangs of a wired quality, along with other instrument "Lebangti" which is a normal parted bamboo clappers. It is a musical instrument and musical sound to prevent rampage of crops by lebang. The other most popular musical instrument found among the tribes of Tripura is the raps made of bamboo. Again bamboo stick is required to beat the bamboo raps. It is also used in the lebang boomani dance.

    KHUANG (Mizo - drum) :-
    Somewhat smaller size drum is found among the Lushai tribe of Tripura. It is a double membraned drum equal in both sides. For manufacturing these drums leather strings are attached to the rims of the membrane to tune it. In this category the resonating chamber of the drum covered hollowed cylinder made of wood without any variation in the shape. Both the opening ends are tightening cords or braces through leather hoops.

    OYAKHRAP :-
    Oyakhrap is a traditional tribal musical instruments. Its inception dates back to ancient times. This musical instrument is combination of two musical bases, i.e. string and also skin membrane based. The base of the instrument is semicircular in shape and is mainly made out of the trunk of gamai, koroi or garjan trees. Mainly, these trunks are collected before the jhum cultivation starts usually when the deforestation is done. The Oyakhrap is a kokborok name of this musical instrument.

    BELEM :-
    This is another type of bamboo made flute. This instrument is used by Darlong tribes of Tripura. This instrument can be be played by any one at any time.

    KAIKAWNG :-
    It is a string instrument stretched across the mouth on which the player produces vibration by blowing and giving tunes simultaneously. The length string at one end is controlled by the right hand to control the notes and tunes effectively. It is used by the tribal people of Tripura.

    KUSUM :-
    It is a kind of flute played by Uchai community during traditional folk dance.

    SO - Ta :-
    It is like a big Kartal used by the Uchai community in their traditional folk dance.

    DAMADADI :-
    It is a musical instrument of Garo community used by them during traditional folk dances.

    ADURI :-
    It is a musical instrument of Garo community used by them during traditional folk dances.

    DHUDAK :-
    It is an instrument of Chakma Community. They use this musical instrument during their traditional folk dance.

    DHAK :-
    It is a popular instrument from ancient from time used by all tribes of the country. However, it is also used by the Chakma commubity in Tripura during their traditional folk dances.

    DHOL :-
    It is an ancient musical instrument used by almost all tribes in country. This is also used by the Chakma community and Munda community too.

    FLUTE :-
    It is also a popular instrument used by the Chakma Community of Tripura.

    HARMONIUM :-
    It is a common instrument in the field of music. Now-a-days Chakma Community has started using this instrument. Mog community also use Harmonium.

    DUNG :-
    It is a kind of Dhol. Mog community, when perform their traditional folk dances use this instrument with Pair.

    ULUNGRI :-
    It is a flute of Bamboo made. Mog community called it as "Ulungri" use by them during folk dances.

    CLARIONET :-
    During traditional folk dances Mog community has started using this instrument.

    KHUM :-
    A kind of Dholak used by the Koki community has started using this instrument.

    JALPAN :-
    It is a kind of flute which is played keeping in front of mouth by the Koki community.

    OAIER BIL :-
    It is a kind of flute which is played keeping behind the mouth by Koki community.

    DARPUNG :-
    It is a kind of musical instrument made of metal played by a stick for keeping rhythm during dance. This instrument is used by Koki community.

    NAKARA :-
    This instrument is used by many of tribal community in the country. However, it is used by the Sautal community of Tripura during their traditional folk dance.

    TIRIO :-
    It is a kind of flute used by the Sautal community during dances. With these given examples it is observed that, with the geographical locations the use of musical instruments are available to the people of that society. Moreover, the migration of any musical instruments traces the wandering lust of human societies. It is also observed some musical instruments have been exchanged and improved due to geographical change and movement of group of people from one place to another reciprocally. So, we find some socio-cultural resemblance in the use of musical instruments. In view of these background we are to consider the boundary line of cultural fields of Assam, Meghalaya Nagaland etc. And all other corner side in respect of cultural fields. The man of these places has helped in creating charging and developing musical musical instruments of these areas. We cannot avoid the similarity of various instruments used in other places of tribal people. These are occurrence of evolution and development of this culture of the society. It is fact many musical instrument are being used by the tribal people to beautify the musical rhythm and thus have brought about a change in music. As a result it has become loss of original culture, where it is a loss of identify of their own. If for the use of such instrument develop and improve the culture, it can be allowed.

    Published on 10 Feb, 2010 Readers can send their comments on this feature to : feature@tripurainfo.in